Pages

Wednesday 16 February 2011

Holi (Phagu)
Holi(Sanskrit: होली), is a spring religious festival celebrated by Hindus and Sikhs. It is observed in  Nepal and India. The most celebrated Holi is that of the Braj region, in locations connected to the god KrishnaMathura, Vrindavan, Nandagaon, and Barsana.

These places have become tourist destinations during the festive season of Holi, which lasts here to up to sixteen days.


The main day, Holi, also known as Dhuli Vandana in Sanskrit,also Dhulheti, Dhulandi or Dhulendi, is celebrated by people throwing coloured powder and coloured water at each other. Bonfires are lit the day before, also known as Holika Dahan (burning of Holika) or Chhoti Holi (little Holi). The bonfires are lit in memory of the miraculous escape that young Prahlad accomplished when Demoness Holika, sister of Hiranyakashipu, carried him into the fire. Holika was burnt but Prahlad, a staunch devotee of god Vishnu, escaped without any injuries due to his unshakable devotion. Phagu is another name for Holi where Phagu means the sacred red powder and Pune is the full moon day, on which the festival ends. 



Holi is celebrated at the end of the winter season on the last full moon day of the lunar month Phalguna (February/March), (Phalgun Purnima), which usually falls in the later part of February or March. Families and friends get together and celebrate the occasion with a lot of merry making. This spring time celebration is also an outburst of youthful exuberance in which throwing colours and water bolloons (lolas) on passer- by is acceptable. But, the Indian community, that is, the Marwari class who have settled down in Nepal for centuries and the people of Terai celebrate it a day later with more pomp and ceremony.

The days prior to the last don't have a lot happening except, the installation of the ceremonial pole called "chir', on the first day. It's a bamboo pole, fringed with strips of cloth representing good luck charms. It is said to symbolize the tree on which lord Krishna hung the milkmaids' garments while they were bathing, unseen as they thought, in the Jamuna river of northern India. As the pole is put up in the street at Basantapur, the festivities and worship commences for the week. At the end of which its taken to a bonfire.


Significance
In Vaishnava Theology, Hiranyakashipu is the great king of demons, and he had been granted a boon by Brahma, which made it almost impossible for him to be killed. The boon was due to his long penance, after which he had demanded that he not be killed "during day or night; inside the home or outside, not on earth or on sky; neither by a man nor an animal; neither by astra nor by shastra". Consequently, he grew arrogant and attacked the Heavens and the Earth. He demanded that people stop worshipping gods and start praying to him. Despite this, Hiranyakashipu's own son, Prahlada, was a devotee of Lord Vishnu. In spite of several threats from Hiranyakashipu, Prahlada continued offering prayers to Lord Vishnu. He was poisoned but the poison turned to nectar in his mouth. He was ordered to be trampled by elephants yet remained unharmed. He was put in a room with hungry, poisonous snakes and survived. All of Hiranyakashipu's attempts to kill his son failed. Finally, he ordered young Prahlada to sit on a pyre on the lap of his demoness sister, Holika, who could not die because she also had a boon which would prevent fire from burning her. Prahlada readily accepted his father's orders, and prayed to Vishnu to keep him safe. When the fire started, everyone watched in amazement as Holika burnt to death, while Prahlada survived unharmed, the burning of Holika is celebrated as Holi.



In Vrindavan and Mathura, where Lord Krishna grew up, the festival is celebrated for 16 days (until Rangpanchmi) in commemoration of the divine love of Radha for Krishna. Lord Krishna is believed to have popularized the festival by playing pranks on the gopis here. Krishna is believed to have complained to his mother about the contrast between his dark skin complexion and Radha's (Shakti or energy that drives the world) fair skin complexion. Krishna's mother decided to apply colour to Radha's face. The celebrations officially usher in spring, the celebrated season of love.Later Lord Vishnu came in the form of a Narasimha (who is half-man and half-lion) and killed Hiranyakashipu at dusk (which was neither day nor night), on the steps of the porch of his house (which was neither inside the house nor outside) by restraining him on his lap (which is neither in the sky nor on the earth) and mauling him with his claws (which are neither astra nor shastra)There is alternative story detailing the origin of Holi. This story is about Kamadeva, a god of love. Kama's body was destroyed when he shot his weapon at Shiva in order to disrupt his meditation and help Parvati to marry Shiva. Shiva then opened his third eye, the gaze of which was so powerful that Kama's body was reduced to ashes. For the sake of Kama's wife Rati (passion), Shiva restored him, but only as a mental image, representing the true emotional and spiritual state of love rather than physical lust. The Holi bonfire is believed to be celebrated in commemoration of this event.


Holi for everyone is a time for fun and frolic. A day when one forgets the worldly anxieties and just enjoys the finer things in life.
http://j-spot-deven.blogspot.com/p/festivals.html

Ghode Jatra

 
Ghode Jatra, the Horse Racing Day falls on Darhsa Shrad Aunsi of the month Chaitra (March/April). A grand horse parade takes place at Tundikhel, the central point of the city reputed to have been in the former days the largest parade ground in Asia. Ghode Jatra, the Horse Racing Day falls on the month of mid March or early April.

A grand horse parade takes place at Tundikhel, the central point of the city reputed to have been in the former days the largest parade ground in Asia. It is said that in the olden days the Kings of Kathmandu use to go to worship the Bhadrakali temple in a courtly cavalcade following the Living Goddess Kumari.
This visit could have been modified into the parade of horses and finally the horse athletics and racing contest as it is today, held by the army in the presence of the King. There was a time when the festival was considered only for the residents of Kathmandu. But today it's popularity has attracted people from all over Nepal.

Legend reveals that this festival was held to celebrate the victory over a demon named Tundi who resided over the meadow, today known as Tundikhel. Tundi was a terror, so when he met with his death people rejoiced by dancing on his body with horses. So it's believed that the clamor of horses' hooves on Ghode Jatra at Tundikhel keeps the demon's sprit at bay as it still threatens to ruin the city. It's said, the faster the horses run quicker will Tundi's spirit be dispelled. The swift running of the horses on this day is also considered to be a good omen for the Nepalese people.

It's said to be a propitious day for consuming a large amount of garlic and meat, some even consider it a day when citizen in the streets may inebriate themselves

Sunday 13 February 2011

Lhosar Tibetan New Year - Nepal

In february or march Tibetans celebrate the Losar Festival - The Tibetan New Year

Himalayan people for several days in the Tibetan New Year Day (Losar). Festive activities like singing, dancing and feasting are observed.

A colorful crowd gathers in the area around the stupa. Hundreds of Tibetans are dressed in a wide variety of beautiful traditional costumes sometimes mixed with western clothes. They smile, laugh and greet family and friends as they bump into them in the crowd. The atmosphere is saturated with anticipation. A group of monks led by a high rank teacher appear and pass through the lion-framed gate into the inner area of the stupa.
The Tibetans lift their arms, singing with voices slowly increasing in volume and pitch. As the song reaches its climax, hands open and white clouds fills the air. Flour is slowly descending on us, symbolizing hopes of a coming year of sufficient material resources, good health, and happiness. My friend tries to brush it off, is gently prevented, then informed that to keep it on his jacket is a sign of good fortune.


This is Lhosar, Tibetan New Year, celebrated at the time of the new moon in February or March. The setting is Boudha, a village northeast of Kathmandu and the site of one of the largest Tibetan communities in Nepal.

tsampa offeren loshar

Two forces formed this refugee community. One being the intolerable conditions in Tibet following the Chinese occupation in the 1950s, and the subsequent steady stream of Tibetan refugees re-settling in countries across the world. The attracting force of this particular village is the Tibetans familiarity with Boudha and the journey there. A familiarity acquired through centuries of pilgrimage to Boudhanath, one of a number of stupas found across the Buddhist areas of the world, and this one among the most important religious monuments for Buddhists in the Himalayan region.

Despite differences in appearance, large or miniature, domed or with a pyramid shaped spire, all stupas express the Buddhist view of the nature of mind and reality. Every feature, from their overall form and down to their smallest details, represent aspects of Buddhist philosophy. This particular stupa is one of the largest and most well-known. Its white dome and painted eyes, the all-seeing and compassionate eyes of the Buddha, are made known across the world through photographs and movies.

Of great entertainment value for Tibetans and westerners alike, the traditional Tor-gya rite at Loshar attracts a large audience. The detailed symbolism of the dance is sometimes difficult to understand. At various times the performance is dominated by monks in beautifully brocaded silk costumes performing slow dances, a group of pale ghosts, demon-like figures, and two jesters performing practical jokes on each other and the audience. Everything dramatically accompanied by cymbals and various horns.

Loshar is the main holiday for Tibetans. It provides a day or two off from work and an opportunity to indulge in a favorite past time for Tibetans - celebration and spending time with family and friends. Apart from the morning festivities by the stupa the streets are unusually quiet and empty at this time.
monniken tijdens lhosarNormally though, Boudha is buzzing with the activities of daily life. The area around Boudhanath houses an abundance of shops, restaurants and guest houses run by Tibetans and also dozens of larger and smaller monasteries.

These secular and religious activities testify to the ability and willingness of the Tibetans to create a new life in a foreign country, partly adopting aspects of modern western life and partly recreating their traditional life. Modern western technology and lifestyle coexists in a striking way with traditional clothes and artifacts and and lifestyles formed centuries ago. Here you find robed monks drinking tea, watching CNN and Fashion Channel satellite transmitted to local guest houses.

Not only the traditional and the modern, but also the spiritual and the secular are interwoven. Both monks and lay people perform ordinary mundane activities as well as religious activities such as reciting mantras, circumambulating the stupa and turning small prayer wheels located in recesses in the stupa wall. The secular takes on a spiritual significance and the spiritual is manifested through the activities of ordinary life.


In addition to being industrious the Tibetans are known to be sincere and friendly. It is not unusual for even a short-term visitor to be invited into a shop, a home, or a monastery kitchen for a cup of tea, a meal, and a good conversation. Living there for a few weeks you easily make friends among the people, be it the family running the guest house where you live, monks you meet at the streets or in tea shops or shopkeeper families. Tibetans in Boudha more often than not know enough English to converse.

Buddhist world-view and practice are an integral part of life for most Tibetans, be they monks, nuns or lay people. The founder of Buddhism, Siddharta Gautama, set out to explore the nature of mind 2500 years ago in northern India. After years of meditation he realized the nature of mind and reality and attained Enlightment. In the Four Noble Truths, Buddhism in a nutshell, he points out that we are chronically dissatisfied with life and the cause of this dissatisfaction is identified as the dualistic and fragmented way we experience the world. Fortunately there is a path which, if followed diligently and under guidance of a teacher, will lead to a lasting and profound fulfillment. This eightfold path, which includes meditation and ethical activities, will open up for a direct, intimate and liberating experience of the nature of mind and reality. Through realizing the oneness and ever changing nature of all phenomena one develops an attitude of non-attachment to fleeting phenomena and compassion for all beings.


Friday 11 February 2011

Narayan Jatra of Handi Gaun


The festival that has no equals


ANUSTHA SHRESTHA
OCT 29- Kathmandu Post


Legend tells us that a huge empire called Bishalnagari once extended around the Valley. The queen of the empire and her best friend were pregnant together, and while discussing various issues, the queen’s friend said that the lord Narayan himself had to lay a path for the queen’s baby to be born. The queen shrugged off the idea; after all, why would a God be required for such a minor event? As days passed, the friend gave birth, but the queen didn’t. Everybody waited for the heir to the throne, but the queen couldn’t deliver the baby even after 12 long years. The king then consulted an astrologer who said that Lord Narayan had gone to the Himalayas for meditation and until he came back to assist in the birth, the queen would not be able to deliver the child. The king then set off to the mountain to request the lord to help. In return, he promised the God festivities that no one had ever seen before.

True to what the king had said, the Narayan Jatra of Handi Gaun is unique. In fact, it is so unique that it has even lent its name to a Nepali proverb—Kahin Nabhayeko Jatra, Handi Gaun Ma—

implying the jatra here is one of a kind.

One can easily make out at first sight why this festival is called so. The first things that stand out are the strangely-built chariots, which appear to be inverted. Usually, chariots for the gods inside the Valley are built in traditional Newari pagoda style, tapering towards the top with a gajur—the most common one being Rato Machhendranath’s chariot. Here in Handi Gaun, the three chariots resemble inverted tops, with three circular bamboo structures stacked on top of each other and a single wooden pole that acts a truss for the three discs. An idol of lord Narayan is placed above the three bamboo discs, which are then rotated by two people standing beneath the structure, with a priest to accompany them. The chariot is carried around the locality by others.

The three toles of Handi Gaun each bring out a different, albeit similarly constructed, chariot. A white disc at the top of each chariot represents the Himalayas from which the lord had to be coaxed to come to the palace, while the first bamboo disc represents the lower foothills of the Himalayas—the Mahabharat range. This disc is decorated with pine leaves and marigold flowers. The entire chariot is decorated by wax flowers (called siswann in Nepal Bhasa).

Though the legend has been passed down from

generations, there are no historical records as to when this festival began. Although a date encrypted on one of the idol cryptically reads 838, no one really knows whether this corresponds to the Bikram Sambat or the Nepal Sambat. But that doesn’t really matter. The three-day festival is celebrated every year beginning from Kojagrat Purnima, the first full moon after Dashain. The chariots are taken across the locality and dismantled on the third day, with the idol returning to its residence in the priest’s home. 

Thursday 10 February 2011

Yanyā Punhi (Indra Jatra)


From: Wikipedia



YanyāPunhi (Devnagari:ञेया पुन्ही, Sanskrit: Indra-Jatra (Kumari Jatra)) is a festival celebrated in kathmandu, Nepal. The main attraction of the festival is the procession of chariots and masked-dancers representing deities and demons.
Yanyā Punhi (Indra Jatra) is a holiday related to Hindu god king of heaven, Indra. The festival begins with the carnival-like erection of Yosin, a ceremonial pole, accompanied by the rare display of the deity Aakash Bhairab, represented by a massive mask spouting beer and liquor. Households throughout Kathmandu display images and sculptures of Indra and Bhairab only at this time of year. Finally, the Kumari, or virgin goddess (living goddess), leaves the seclusion of her temple in a palanquin and leads a procession through the streets of Kathmandu to thank Indra the rain god.


Procession


Majipa Lakhey
The procession consists of:
  • Pulukishi
  • Sawan Bhaku
  • Ganesh (Chariot)
  • Kumar (Chariot)
  • Kumari (Chariot)


Besides these, there are various dances held on the open stages of the city called dabu. There is display of Swet Bhairava as well as various deities of the city.The people of Kathmandu celebrate the religious estival of Indra Jatra remembering [[Lord Indra[[, the god of rain. Indra Jatra is also called Yandya in Newari culture. this This festival was started by Lichhavi king Gunkamadev in Kaligat Sambat 3822. In Nepalese culture Indra is a very important god. Indra Jatra begins every year from the day of the fortnight Dwadasi Bhadra month to Aswin Krishna Chaturdasi sthat is it is a eight day long festival. On the first day of Indra Jatra a pole known as Linga or Yasingh with a flag on the top is erected at Hanuman Dhoka area. This thirty-six feet long wooden pole is chosen with great care from the Nala forest in Kavre district east of Kathmandu. According to traditional beliefs, Indra had received this flag from Lord Vishnu for protection. It is said that Indra’s mother needed parijat, a type of flower, for some religious ritual so Indra disguised as a human being came to the earth to fetch them. But, he was recognised when he was to steal the flowers so the people caught him and tied him with ropes the statue of which is still worshipped in Maru Tole in Kathmandu. This image is also put on display with others in different parts of the city during Indra Jatra festival. Indra Jatra is a very interesting festival because for the whole week people enjoy various traditional dances and witness the chariot of Goddess Kumari, Lord Ganesh and Lord Bhairav being pulled through the older parts of the Kathmandu city. A day has been added to the original seven days of celebration and on that day known as Nanicha yaa the chariots are pulled through Naradevi, Nhyokha, Ason, Indrachwok and Hanuman Dhoka. This extra day of chariot pulling was introduced by king Jaya Prakash Malla in 1765 B.S. In Indra Chowk, the famous Akash Bhairava bust is displayed and it is decorated with flowers. This Akash Bhairava’s head is related to the Mahabharata story. Some believe it to be the head of the firstKirat King Yalamber. In Indra Chowk, every night different groups gather and sing bhajans and hymns. During Indra Jatra, there are a variety of performances including the dances of Sawa Bhakku Bhairav from Halchowk, Majipa Lakhey from Majipat, Devi Nach and Yeravat hathi (Pulukisi) from Naradevi, Mahakali and Kathi Maka Nach from Bhaktapur. All the dances take place around Hanuman Dhoka area. The Dasavatar or the ten incarnations of Lord Vishnu is also staged every night. The first day of the festival is also observed by the Newars as a day to remember the family members who died during the past year by offering small oil lamps along a traditional route covering all the parts of the old city. It is believed to have been started during the reign of Mahendra Malla. The Linga (Yasingh) is pulled down signalling the end of Indra Jatra festival. It is taken to the confluence of Bagmati and Bishnumati in Teku to be put to rest. The end of the Indra Jatra festival heralds the beginning of Dashain and Tihar celebrated with great enthusiasm not only in the Kathmandu Valley but throughout the country.

Wednesday 9 February 2011

Gai Jatra





Article by Prabhakar Chettri 


The festival of "Gai Jatra", the procession of cows, is generally celebrated in the Nepalese month of Bhadra (August-September). The festival of cows is one of the most popular festivals of Nepal. The whole complex of Gai Jatra festival has its roots in the ancient age when people feared and worshipped Yamaraj,"the god of death". However, the ironical sessions synonymous with the Gai Jatra festival came into tradition in the medieval period of Nepal during the reign of Malla Kings. Hence, the present form of Gai Jatra is a happy blending of antiquity and medievalism.


According to the traditions since times immemorial, every family who has lost one relative during the past year must participate in a procession through the streets of Kathmandu leading a cow. If a cow is unavailable then a young boy dressed as a cow is considered a fair substitute. In Hinduism, a cow is regarded as the most venerated among all the domestic animals. It is believed that the cow, revered as a holy animal by Hindus, will help the deceased relative's journey to heaven.



In terms of historical evidences, once when King Pratap Malla lost his son, his wife, the queen remained dumbstruck. The king was very sad to see the condition of his beloved queen. The king, in spite of his several efforts, could not lessen the grief of his wife. By all means he wanted to see little smile on the lips of his sweetheart. He announced that someone who ever made the queen laugh would be rewarded adequately.
During the festival of Gai Jatra, the cow procession was brought before the griefstricken queen. Then the participants began ridiculing and befooling the important people of the society. Finally when the social injustice and other evils were highlighted and attacked mercilessly, the queen could not stop smiling. The queen laughed, and Pratap Malla, the king ensued a tradition of including jokes, satires,mockery and lampoon in the Gai Jatra days.



After the procession is over, in the afternoon, nearly everyone takes part in another age-old tradition in which the participants dress up and wear masks. The occassion is filled with songs,jokes, mockery and humour of every kind become the order of the day until late evening. Hence, Gai Jatra is a healthy festival which enables the people to accept the reality of death and to prepare oneself for the life after death. According to Hinduism,"whatever a man does in his life is a preparation to lead a good life, after death".

Mother's Day (Mata Tirtha Puja)





The Nepalese people have always been family oriented. They take great pride in their ancient tradition of closely-knit family unit. This sort of kinship is not only the result of religious teachings, but also due to various festivals and ceremonies, which brings the family together and strengthens the family ties in the Nepalese society.


Such is the festival of "Mata Tritha Puja" which in English is "Mother's day" . This festival falls on the last day of the dark fortnight of April or early May. It is a day when one shows appreciation and gratitude to his/her mother for her unconditional love and undying support.

On this day, each house bustles with activities and everyone, regardless of age, participates. There aren't much religious ceremonies but the fact that it is a day for mothers, calls for celebrations for she is the one who keeps the family together through ups and downs in life. Even the small children dig into their savings to buy gifts for their mothers. Sons and daughters living separately, come with presents and delicacies to spend time with their mother. It is a day of reunion for married daughters with their mothers. The entire day is filled with festivities and merry making.

Those who don't have a mother pay obeisance to Mata Tirtha, which is a sacred site of pilgrimage and holy bathing. It lies six miles south - west of central Katmandu, consisting of two pools-the larger for bathing and the smaller is famous as the place where one "looks upon one's mother's face".

Legends reveal that in the ancient times the region was ruled by a cowherd king. One of his cowherds was so depressed by his mother's death that he went to pray and make offerings at a water storage pond in the forest on this day. Miraculously his mother's face appeared and her hand accepted the offerings. Thus its called Mata Tirtha, where many hope to see their mother's face. Alot of folklores are attached to this site, some of which are tragic. But whatever it maybe, people still believe that paying homage to this site will bring peace to their mother's departed soul. So for this reason people come from distant places, on this day, to show their reverance.
Thus, Mata Tirtha holds a very profound meaning in each person's life. For a mother, is a figure present in everyone's life. This day gives each child a chance to show the depth of his/her feelings for her.

Tuesday 8 February 2011

Celebrating Dashain Festival In Nepal



Issue 42, October 17, 2010



Nepal is the only country in the world where Hindus and Buddhists celebrate numerous festivals together. Among the festivals, the most important festival is the Dashain or Dashami festival celebrated across the country twice a year. We, nepalese celebrate this festival worshipping nine different Goddesses one each on the day and the night during the nine days called Navarat. The nine Goddesses are the different forms of the Goddesses of warrior, war, victory and the symbol of the source of Supreme Power called Goddess Durga Bhavani. We follow both the Vedic and Tantric rituals to make offerings to Goddess Durga Bhavani during the Dashain festival 


Dashain is a festival for celebrating a victory of good over evil, the defeat of mythological demon called Mahi-sa-shur at the hands of the mighty Goddess Durga Bhavani. On that day, Durga Bhavani in nine different forms of Goddesses called Nava Durga Bhavani is worshipped in different parts of towns in the Kathmandu valley and across the country, and the neighbouring Indian state Darjeeling. This festival starts on the first day of the waxing moon and last until the full moon day following the Nepalese calendar.


Our forefathers have set the tradition of worshiping female deities since Tantrism took roots in the Shakta Sect of Shaivinism, and in the Vajrayan sect of Mahayan Buddhism. The worship of a female deity attaches a great importance in the Tantric sect. There was a time when Tantriks made self-sacrifices and sacrificed other humans, too in the past. They replaced self-sacrifices with the animal sacrifices to the Goddesses. Thus, the meaning of offerings to Goddesses had undergone a sea change during the last millennium.
We celebrate Dashain festival revering Durga Bhavani better known as Taleju Bhavani, and Living Goddess Kumari twice a year. We celebrate this festival with great fanfare for two weeks during the bright fortnight of Aswin (Sept-Oct) and one-day in the bright fortnight of Chaitra (March-April) in the Nepalese calendar called Nepal Samvat.

The one-day festival in Chaitra is known as Chaitra Dashain: name derived from the month itself. During the Dashain festival, priests perform various Vedic and Tantric rituals to Goddess Durga Bhavani, and the Living Goddess Kumari.

According to the Shakta doctrines, we have four Navarat occasions: one each in Aswin, Magh, Chaitra and Ashad. The Navarat days are the most auspicious days for revering Goddess Durga Bhavani. Some Tantric devotees of Durga Bhavani use all these four Navarat occasions for revering the Goddess Durga Bhavani, and visit nine different Goddesses called Nava Durga on those nine days period.

All Nepalese Hindus and Nevah Buddhists celebrate the Navarat in Chaitra and Aswin. Navarat literally means nine nights. This is called so because devotees visit one each Goddess and make offerings to the Goddess at Her field shrine on each night before dawn and at Her town shrine on the evening during Navarat.

We revere the most powerful Goddess Durga Bhavani and the Living Goddess Kumari together during the Dashain festival. The Shakta and the Vajrayan sect independently developed female deities as the sources of power when Tantra became a part of these sects. The Shakta sect gave the source of supreme power, the name of Goddess Durga Bhavani, and the Vajrayan Sect gave the name of the Living Goddess Kumari.

In the initial period of development of these sects, believers in the Shakta sect performed various Tantric rituals to merge with the Goddess while Vajrayanis performed various Tantric rituals to achieve enlightenment during the Dashain festival.

During the Malla period, one of the Malla kings found both Living Goddess Kumari and Goddess Taleju were the same and the one. Hence, they depicted Taleju Bhavani often called Goddess Durga Bhavani on the Torana above the main entrance to the Kumari House in Kathmandu. The deity in any temple is depicted on the Torana of the temple. Torana is a half circle wooden or metal carved with or embossed with various figures of deities and dragons, and placed above an entrance to a temple. Thus, Goddess Durga Bhavani is one of the manifestations of the Living Goddess Kumari.

Both the Living Goddess Kumari and Taleju are names in code. Tantriks believe that they can control deities pleasing them through Tantric means. These deities are the sources of power, fame and wealth for them. Hence, they gave these Goddesses, names in codes as Goddesses Kumari and Taleju so that outsiders would not know them. For outsiders, these names do not suggest any specific deities. In addition, we do not keep these Goddesses in any form or images in the field shrines called piths rather worship them in pebbles for confusing outsiders. Such things we do for preventing outsiders from securing favor from these powerful Goddesses.

Offerings of animal and fowl sacrifices are made to Goddess Durga Bhavani and Goddess Kumari at their field shrines during the Dashain festival. We feast on the meat of such sacrificial animals and birds as blessings from the Goddesses. The State makes the offerings of 54 male buffaloes to Goddess Taleju at the Kot Square on the premises of the old palace of the ancient kingdoms in various parts of Nepal.


In Nepal, our forefathers have begun worshipping female deities from around the fifth century in the Gregorian calendar. Licchavi King Gunakamdev built a city-state called Ye (current Kathmandu) establishing eight mother Goddesses on the periphery of it, to protect it from enemies and evil spirits about one thousand and five hundred years ago. Later on, it became known as Kantipur. Since then, we have attached even more importance to female deities. During the Dashain festival, we revere these eight mother Goddesses and, the main Goddess Durga Bhavani.

Sacrifices made to Goddesses had deep meanings in the past but, later on, they were distorted. Believers in the Shakta sect and Vajrayan sect developed offerings of self-sacrifices, which meant the sacrifices of ego, anger, cravings, lust and contempt. Later on, they designated male buffalo for ego, male goat for lust, and male sheep for anger, male duck for cravings and rooster for contempt. Thus, they set a tradition of making offerings of sacrifices of these animals and fowls instead of self-sacrifices.

Originally, celebration of the Dashain festival was for the purification of mind, speech and body by offering self-sacrifices to the Goddesses Durga Bhavani and Goddesses Kumari twice a year or four times a year depending upon the tradition. Later on, the festival was relegated to Tantric rituals of animal and fowl sacrifices only. With the passing of time, people have forgotten the deep meanings of the Dashain festival, and have resorted to merry makings and feasting in the name of revering these Goddesses of Supreme Power.

We begin the 15-day Dashain festival with Ghatasthapana. It is the first day of nine nights festival called Navarat when we revere one Goddess on each night. All nine Goddesses together are popularly known as Nava Durga and they all in one is Maha-laxmi: one of the manifestations of the Living Goddess Kumari. Nava Durga symbolizes a complete set of nine numbers. There is no other independent number after nine.

We celebrate Dashain festivals twice a year: one in Chaitra and another in Aswin in the Nepalese calendar in honor of Maha-laxmi for Her victory over the demon called Mahi sa shur that had attempted to eliminate the divine system, and impose his own rule all over the universe. We believe that omnipotent and super power Maha-laxmi appeared in Chaitra, so we celebrate the day of Her appearance in Chaitra. The Goddess won a victory over the demon after six months on the tenth day of the bright fortnight in Aswin. So, we celebrate this day as the victory day.

Hence, celebration of the Dashain festival reaches a climax on the tenth day called Vijaya Dashami when all of us wear a red Tika as a victory symbol on our forehead. On the fourteenth day, we celebrate Ko-jagrat holding a nightlong vigil with the homes lighted up for the Goddess of Wealth called Laksmi to visit us. On the fifteenth day, we dispose of the remains of the offerings to Maha-laxmi. Buddhists perform Buddha Puja believing in the appearance of Svoyambhu Jyoti on this day. Thus ends the Dashain festival.

A ritual namely Ghatasthapana is held on the first day of the waxing moon and kicks of a fifteen day Dashain festival.  On that day, the nine-night festival called Navarat also starts.  This festival is so called because from that day on people go to nine different holy places to bathe before dawn and worship one Goddess at a time for nine nights visiting a different site each night. On the evening they visit the same Goddess to worship at her town temple. This goes on until the ninth day of Dashain.


Ghatasthapana is the day on which every household installs Durga Bhavani by sowing barley seeds in a clay vessel and clay bowls or in a special holy place. For that purpose people buy a new clay vessel with a lid on it, and some clay dishes. They bring sand from a holy riverbank.  Ceremoniously, they put the sand in a clay vessel and clay dishes and sow barley and maize seeds and install Durga Bhavani in their private prayer room. Once this is done, people worship it on the morning and on the evening until the ninth day of the Dashain festival.  Plants grow in darkness for nine days and nights.
Literally, Ghatasthapana means installation of a holy water jar. Every household following the tradition performs Ghatasthapana rites on the first day of the bright lunar fortnight in the Aswin in the Nepalese calendar. The Nevah community performs Tantric rituals to summon omnipotent Goddess Maha-laxmi, manifestation of all nine Goddesses, in their family prayer room called Agam. They set two clay pots, one pot on another, and in them, they put clay dishes with sand collected from a holy river bank; they sow barely seeds in the sand to germinate holy shoots over the nine days period, and then to harvest them on the tenth day as the blessing of Maha-laxmi popularly known as Durga Bhavani.

Communities other than Nevahs install Ghatasthapana in a slightly different way.  They spread the sand collected from a riverbank at one corner of their prayer in a square form, and sow barely seeds in it. On this square-sand bed, they install a jar filled with holy water called Kalash, and summon Maha-Laxmi to dwell in it. They offer holy water to it on the morning and a mustard-oil lamp on the evening for nine days as reverence to Maha-laksmi.

Starting on the Ghatasthapana day, we celebrate Navarat visiting one Goddess twice a day: on the morning and the evening.  We go to a riverbank dedicated to each Goddess, take a bath or simply wash our face, and then, we revere the Goddess at Her field shrine on the morning.  On the evening, we visit the same Goddess at Her town temple to revere Her.

On the fifth day, locals celebrate a special festive day at the Pachali area just to the south of Kathmandu. Caretakers of Lord Bhairava place a large gold-gilded silver Jar about one-and-a-half meters high conceivably with Bhairava in it in front of the stone image of Lord Bhairava at the Pachali shrine before dawn on that day. People from surrounding areas worship that Jar as Lord Bhairava. Some people offer animal or fowl sacrifices to it. That goes on for that whole day. On the night, they take the big vessel in a procession to various parts of the old area of Kathmandu, and Hanuman Dhoka. On that night, locals in the Pachali area close even keyholes before going to bed believing that Betal: an attendant to Bhairava comes in search of Bhairava; and if Betal runs across a human causes instant death to him/her. After the completion of the special festive, that gold-gilded big Jar with Bhairava remains with the caretaker for a year.

On the seventh day, the State celebrates the transfer of Phulpati from Gorkha to Kathmandu.  Phulpati means offerings comprising various auspicious items. It comprises a fresh sugarcane plant, a marigold plant, a banana plant and a bel-patra plant; all these items are auspicious items to make offerings to Goddess Maha-laxmi. After the unification of small states into a large kingdom called Nepal in 1867, King Prithvi Narayan Shah of a small hill state called Gorkha set this tradition of bringing Phulpati from Gorkha to Kathmandu.

A procession of high ranking civil servants, police and military sets off at Nasalchowk in the old palace complex, Kathmandu, in the afternoon, following a team of priests, a heavenly decorated attendant lady and two porters carrying a palanquin for Isankoon, Jamal, Kathmandu where state priests store the Phulpati brought from Gorkha. A musical band and a traditional army platoon lead the procession. After a ceremonial transfer of the Phulpati to a carrier, the procession brings back the Phulpati to Nasalchowk. The Head of State goes to Nasalchowk after the Nepal Army ceremony at Tundikhel, to receive blessings of Maha-laksmi from the state priests.

On the seventh day, the Nepal Army holds the Phulpati ceremony at Tundikhel in Kathmandu. President, Vice-president, Chief Justice, House Speaker, ministers and other high-ranking state officials attend the ceremony.

We call the eighth day Maha-astami meaning the great eighth day when Maha-laksmi revealed Her nine different forms. We call the night between the eighth and ninth day Kalratri literally meaning killing night because Maha-laxmi killed the deadly demon called Mahi-sa-shur on this night, thus ending the evil demon forever. She killed all demons even those who had gone hiding in buffaloes, ducks, goats, roosters and so on. People believe that is why we sacrifice those animals and fowls. Hence, on this night, the State makes the special offerings of 54 male buffaloes and 54 male goats to Taleju: another form of Goddess Maha-laxmi brought to the two-tiered temple at Mulchowk within the palace complex in Kathmandu for celebration ofthe Dashain festival. offerings are made to Maha-laxmi on the ninth day and the fourteenth day, thereafter, Maha-laxmi returns to the three-tiered temple.

On the eighth day of the festival, some Nepalese make offerings of animal and fowl sacrifices to the deity. In the early morning people visit shrines of various Goddesses and sacrifice different animals and fowls such as goats, chicken, ducks, buffaloes, sheep and so on.

On the night of the eighth day, the Nevah community holds a family feast called Kuchhi Voya: a unit of Kuchhi is used to measure flattened rice for the feast and put on a banana leaf for every family member. Before starting Kuchhi Voya, the head of a household worships nine Goddesses and allocates nine shares of Kuchhi Voya.  In that feast, we eat varieties of meat dishes, beans and drink rice-beer.

On the ninth day, the State priests and Nepalese in general continue to worship Durga Bhavani. In Kathmandu, the State opens the three-tiered Taleju temple to all common folks for making offerings and receiving blessings from Goddess Taleju Bhavani for a whole day on that day once a year.  Men, women and children line up to pay their annual homage to Taleju Bhavani in other words Durga Bhavani.

The ninth day is called Maha-navami means the great ninth day. This day is the last day of Navarat. Ceremonies and rituals reach the peak on this day. Artisans, craftsmen, traders, mechanics and so on worship and offer animal and fowl blood to their tools, implements, equipment, and vehicles; this is done to keep their means of work happy. We believe this avoids accidents for a year.

On the morning of the ninth day, each sub-community of the Nevah community cleans their tools, equipment and implements for worship. For example, a business community cleans measuring sticks or weighing machines or scales; a farmer community cleans spades and other agricultural implements; a warrior community cleans swords and so on for worshipping them. Then we place those weapons, tools, implements and so on next to Durga Bhavani installed on the first day of Dashain, and worship them, and offer animal or fowl sacrifices.  We worship vehicles, motors and all mechanical parts, and offer sacrifices of animals or fowls.

In Bhaktapur, on the afternoon of the ninth day, people take out a buffalo fed with rice-beer, and drive it to Brahmayani where nine Goddesses are installed at the night. Newly made masks of nine Goddesses and other attendants are displayed in another part of Bhaktapur on that night. After a religious ceremony, members of the Nava Durga troupe dancers literally steal those masks to Brahmayani where Tantric priests along with craftsmen that made those masks, ceremoniously give life to each mask. On that night, the Tantric priests perform worship to sacrifice the buffalo fed with rice-beer. In which a demon, Mahi-sa-shur is believed-to-be dwelt in.  All men folks wearing masks of different Goddesses receive a fountain of blood in their mouth directly from the vein of the buffalo on that night.

On the morning of the ninth day, every Nevah household performs an offering to the daughters that have not lost teeth and blood.  This is called Kumari puja literally meaning Virgin worship.

The State performs the Kot Puja within the palace complex of all past city-states in the Kathmandu valley and across the country on the night day.  On this occasion, the state offers the sacrifices of buffaloes in the Kot area under the gunfire salutes. This day is also known as the demon-hunting day because members of the defeated demon army tried to save themselves hiding in the bodies of animals and fowls. For the complete victory over the demons, we sacrifice as many animals and fowls as possible believing they are possessed by demonic spirits. The temples to Goddess Taleju are opened in the entire past city-states in the Kathmandu Valley once a year on this day.

On the tenth day, Nepalese in general celebrate a victory day. We worship Durga Bhavani elsewhere. The Nevah community worships Durga Bhavani in a prayer room. They take out clay dishes with plants of barley sown on the first day of Dashain from a clay vessel to offer Durga Bhavani and other deities. We believe that no matter whom we offer Puja it goes to Durga Bhavani during the 15-day period of Dashain. Then the head of a household turns over tools, equipment and implements: one items at a time to every family member starting from the senior most members. Women receive measuring units of grains and grooms. On that day after the worship to Durga Bhavani, men, women and children visit their senior relatives to receive tika in other word blessings from them. Tika is a blessing of Durga Bhavani, too. It is the mixture of rice, vermillion and yogurt to paste on foreheads as a victory symbol. After pasting tika, people offer plants of barley sown on the first day of Dashain. During tika blessing, daughters and sons-in-law receive a blessing fee (Dakshina), and refreshments. Most people move from one relative to another to receive tika. Normally, people cannot reach all the houses of their relatives on the tenth day; they continue to do so on the following days until the full moon day.

On the tenth day, the State Vedic and Tantric priests make offerings to Goddess Taleju Bhavani and the Living Goddess Kumari at the temple on the premises of the ancient palace. Thereafter, the Head of State receives tika from the state priests on an auspicious time with a salute of 31 gunshots. Then, the Head of State offers tika to common folks wishing to receive in public on the premises of the official residence of the Head of State.

In Bhaktapur, on the morning of the tenth day, people go to Brahmayani, and bathe in the nearby stream and worship nine Goddesses called Nava Durga. Some religious people reach Brahmayani measuring their body length. To do so, such a person prostrates on the ground and extends his clasped hands above his head. An assistant puts a few grains of rice at the end of the clasped hands as a marking point. Then, the man steps to this marking point and then prostrates again. In this way, such a man reaches the shrine to the Goddess Brahmayani. Some other people lie back on the ground nearby the shrine, and exposing only a head, cover their body with quilt and other cotton clothes on which one-inch thick layer of cow dung is put. Then, attendants set a number of small clay dishes on the cow dung placed on the body. Then attendants light cotton wicks on mustard oil placed on clay dishes. An attendant serves him to keep all wick lamps on. That show may last several hours on the morning of the tenth day of the Dashain festival. We believe that by doing so, the person earns a lot of merits and blessings from the Nava Durga. People from surrounding areas and Bhaktapur town visit Brahmayani throughout that day. In the evening, Nava Durga troupe dancers visit Goddess Taleju at Laaku (Durbar square: in Bhaktapur). People make offerings to Goddesses Nava Durga on the way, so it takes about five hours to travel about five Kilometers distance from Brahmayani to Durbar Square. From this day on, the Nava Durga troupe dancers get new lives for another term of ten months or so.

On the night of the tenth days, the local state officials celebrate the Payo Jatra in towns of the Kathmandu Valley.  Caretakers take Goddess Taleju Bhavani in a triumphant procession through narrow lanes of old towns. That day is so auspicious that people need not consult an astrologer to find out an auspicious hour to perform social rituals such as wedding, and adulthood ceremony for boys; hence young women tend to elope on this night.

On the night of the tenth day, the Nevah community holds a victory parade called Khadga Jatra. A twelve members team comprising nine Goddesses, and other three Gods called Ganesh, Bhairava and Kumar, all men wearing masks possessed by the spirit of the respective divinity parade on the street from Bhadrakali to Makhan tole in Kathmandu.  This is a victory parade held every year on the tenth day.

During the remaining days, we exchange best wishes with family members, relatives and friends, and visit seniors to receive blessings.

On the evening of the fourteenth day, we worship Goddess of Wealth called Laksmi, and keep awake the whole night keeping lights on anticipating the Goddess visits us. This is called Ko-jagrat.

Nevah Buddhists believe that Svoyambhu appeared on this full moon day.  So, they clean Chaityas, and perform Buddha Puja.


The last day of Dashain is the full moon day. On that day, early in the morning, Nepalese dispose of the sand and remains of the plants sown on the first day of Dashain on a holy riverbank. Thus ends the Dashain festival.